Sticky Entanglements at Transformer DC featured multi-media works by Beth Yashnyk and myself. We explore glitch as a point of metamorphosis. Human and non-human bodies are dissected and fragmented, questioned and observed, and then reassembled in distinct ways into new hybrid forms that push the boundaries of gender and life itself. The narrative that develops between the sculptures, animations, and paintings offered paths to speculative ideas of relationships to one’s self and to others.

I build speculative critters that ponder the nuances of our relationships with non-human beings and the possibilities of collaborative kinships. We fragment and layer aspects of bodies to create surreal works that encourage a suspension of disbelief. Touch is also an essential element in our work either through representation of hands, mouths and sensory antennas or through the varied use of materials and textures. We explore how touch affects our perceptions of our environment, others and our own body. Both of our work has taken on a format of installation, and we are drawn to creating an immersive environment with their work where their individual objects build a larger narrative.

The notion of “sticky” does not only appear as a visual motif through body fluids, but also through the use of certain materials such as silicone. From a metaphorical perspective, sticky also implies gumminess. Sticky things almost always leave a residue. Our interactions with others affect and contaminate our identity and lived experience. As we relate to others (human and non-human) we can gain empathetic observation skills and new ways of experiencing the world. These ideas of glitch can inform our collaborations with other beings and technologies to create more liveable and equitable worlds.